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Bo Gunnar Widerberg (8 June 1930 – 1 May 1997) was a Swedish film director, writer, editor and actor. He was born in Malmö, Skåne län, Sweden. He died in Ängelholm, Skåne län, Sweden of stomach cancer. Widerberg was the director of films such as ''Raven's End'' (1963), ''Elvira Madigan'' (1967), ''Ådalen 31'' (1969), ''Joe Hill'' (1971), ''Fimpen'' (1974), ''The Man on the Roof'' (1976), ''Victoria'' (1979), ''The Man from Majorca'' (1984), ''The Serpent's Way'' (1986) and ''All Things Fair'' (1995). ''The Serpent's Way'' was screened in the Un Certain Regard section at the 1987 Cannes Film Festival〔(【引用サイトリンク】title=Festival de Cannes: The Serpent's Way )〕 and in competition at the 15th Moscow International Film Festival.〔(【引用サイトリンク】title=15th Moscow International Film Festival (1987) )〕 In 1966 at the 3rd Guldbagge Awards his film ''Heja Roland!'' won the award for Best Film.〔(【引用サイトリンク】title= Heja Roland! (1966) )〕 He won a Silver Bear prize at the 46th Berlin International Film Festival for ''All Things Fair'' and a Special Grand Jury Prize at the Cannes Festival for ''Ådalen 31''.〔(【引用サイトリンク】title=Festival de Cannes: Ådalen 31 )〕 ''Raven's End'', ''Ådalen 31'' and ''All Things Fair'' all received a nominations for the Academy Award for Best Foreign Language Film. For ''Ådalen 31'' Widerberg won the Guldbagge Award for Best Director at the 6th Guldbagge Awards.〔(【引用サイトリンク】title= Ådalen 31 (1969) )〕 For ''The Man on the Roof'' he won the award for Best Film at the 13th Guldbagge Awards.〔(【引用サイトリンク】title=Mannen på taket (1976) )〕 Bo Widerberg's vision of Swedish cinema parted radically with its contemporary form. He called for a greater political significance and more progressive story telling. The leading figure of Swedish cinema at the time, Ingmar Bergman, was not Widerberg's ideal at all, although he recognized his position: "Neither I nor my friends saw very much in him. We didn't find the issue of God's existence that damned important. But it's safe to say you'd be putting yourself in a bad position if you're trying to slit the throat of the father figure before your own debut." In his book, ''A Vision of Swedish Cinema'', Widerberg concluded that Bergman's films almost exclusively dealt with issues between people directed upwards and seldom sideways. According to Widerberg, Bergman made vertical films when the need for horizontal ones was more dire. On the other hand, Widerberg wanted film to be a tool of the social sciences, a kind of sociological report. ==Filmography== * ''Raven's End'' * ''Love 65'' * ''Heja Roland!'' * ''Elvira Madigan'' * ''The White Game'' * ''Ådalen 31'' * ''Joe Hill'' * ''Stubby'' * ''The Man on the Roof'' * ''Victoria'' * ''The Man from Majorca'' * ''The Serpent's Way'' * ''All Things Fair'' 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Bo Widerberg」の詳細全文を読む スポンサード リンク
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